An enticing oasis pulsing with West Coast cool energy is what the acclaimed pianist and award-winning composer Lisa Hilton has created with her new release, OASIS (available now via Ruby Slippers Productions). Along with her trio mates, bassist Luques Curtis and drummer Mark Whitfield Jr., they have delivered on that promise with a new album that is at times tender, yet emotionally intelligent, and well-conceived. On OASIS, Hilton notes that the album title refers to a place of refuge, relief and a realization during the composing process that while she herself needed an antidote during these tumultuous times, others were seeking their own safe haven, or “oasis,” as well.
The opening track, “Twists of Fate,” surprises the senses with its cool laid back vibe laced with an energy related to the electricity of Thelonious Monk and Count Basie’s best excursions in bop, with Hilton leaving plenty of aural room while Curtis and Whitfield lay down some incredibly arresting rhythms. The trio then segues into the Horace Silver influenced, “Adventure Lands.”
Compositions like the title track, “Oasis,” “Watercolor World” and “Sunday Morning” showcase the trio’s collective ability to coalesce around an ethereal or, conversely, an ecstatic mood; at times with washes of free jazz and cascading notes fluttering. The classic George Gershwin tune, “Fascinating Rhythm,” now travels in some new directions with the supple grooves of Curtis and Whitfield as well as yielding the melody under Hilton’s supple touch. This is a good companion to Hilton’s “Vapors & Shadows” as well as the lively “Just for Fun.”
“Lazy Daisy” is a slow blues for a sunny afternoon, though here with an impish twist mixing bluesy tones against simpler melodic ideas. Latin rhythms weave in and out of Hilton’s compositions, and here are showcased on the fast paced “Sunshine States.” The final track “Warm Summer Night” ends the album in a solo piano version awash in Americana.
Hilton continues to produce an album a year with what has been described by Midwest Record Recap as a “throbbing undercurrent of West Coast Cool.” The pianist’s 21st release, OASIS, is meant to lift spirits as a positive and energizing force in our lives — something the pianist and her trio have accomplished using traditional ideas in new and invigorating ways.
About Lisa Hilton:
Hilton’s blues inflected trans-genre or poly-genre style influences extend beyond jazz legends Thelonious Monk, Count Basie, Horace Silver and Duke Ellington, to include bluesman Muddy Waters and Robert Johnson, minimalists like Steve Reich, current rockers Black Keys or modernists Prokofiev, Stravinsky and Bartok. Hilton has performed at venues across the US from the legendary Carnegie Hall to Chicago’s historic Green Mill and is known her expressive technique at the piano as well as for her warmth and storytelling on stage. Originally from a small town on California’s central coast, Hilton studied classical and twentieth century piano formally from the age of eight, where she was inspired by her great uncle, Willem Bloemendall, (1910-1937), a young Dutch piano virtuoso. In college though, due to the lack of creativity in the program, she became a music school drop out, switching majors and receiving a degree in art instead. Ever since becoming a professional musician, this background in the fine arts has well informed Hilton’s composition process.
Committed to helping students who are often overlooked, for many years Hilton has regularly spent time to help blind students at the Perkins School for the Blind in Boston, The Chicago Lighthouse for People Who are Blind or Visually Impaired, The Junior Blind of America in Los Angeles, Camp Bloomfield for the Blind in California, or The Berklee College in Boston and their adaptive music lab for visually impaired musicians. “I enjoy extending help to those with physical disabilities – music should be for everyone,” Hilton explains. OASIS will be the 21st album produced under her publishing arm, Lisa Hilton Music, and released on the Ruby Slippers Productions label. Hilton’s catalog of published compositions now totals well over 200 tracks.
