PRESS RELEASES
ECM September 2024 Releases
ECM Releases New Albums by
Louis Sclavis & Benjamin Moussay
Available Today
Alice Zawadzki, Fred Thomas,
Misha Mullov-Abbado
Za Górami
September 13, 2024
Vocalist and violinist Alice Zawadzki, pianist Fred Thomas (who also plays the vielle and drums here) and bassist Misha Mullov-Abbado present a rare alchemy on their trio debut, fusing folk idioms from a multitude of sources with free flowing interplay and fluid structures. Inhabiting their own stylistic realm, the trio encompasses folk song, chamber music, improvisation and acoustic jazz, and on Za Górami they present the full span of their reach in a mesmerizing whole. Ladino traditionals are heard alongside striking renditions of Gustavo Santaolalla’s “Dezile A Mi Amor” and Simón Diaz’s “Suéltate Las Cintas”. The title-lending Polish traditional “Za Górami” is performed in a poignant interpretation by Zawadzki and the Renaissance piece “Je Suis Trop Jeunette” finds a kindred spirit in Fred Thomas’s monody-inspired setting of James Joyce’s in “Gentle Lady”. The album was recorded at the Auditorio Stelio Molo in Lugano and produced by Manfred Eicher.
Click here for the full album bio.
Florian Weber
Imaginary Cycle
September 13, 2024
Idiosyncratic, large-scale and in its fundamental disposition one of a kind, Florian Weber’s Imaginary Cycle, conceived for the unique instrumentation of brass ensemble and piano, is a hybrid of multiple musical languages that seamlessly blends the harmonious with the oblique. Here Weber presents a cycle in four parts, plus an opening and an epilogue, in which the German pianist is joined by a group of four euphoniums, a trombone quartet as well as flautist Anna-Lena Schnabel and Michel Godard on the seldomly used “serpent” brass instrument, together performing a work that blurs the line where improvisation ends and composition begins. As the ensemble elegantly journeys across Florian’s multiple-idioms-spanning oeuvre, symphonic passages mingle with intricate counterpoint, pastoral notions are contrasted with textures more contemporary and each voice in the ensemble plays an independent part, adding to a whole. A daring and spectacular endeavor, Imaginary Cycle follows Florian’s contributions to the albums by Matthieu Bordenave, Ralph Alessi and his own quartet recording Lucent Waters – though the musical intersections between those albums and this one are few and equivocal. The project, recorded at Sendesaal Bremen in July 2023, was developed in close collaboration with Manfred Eicher, who produced the album.
Click here for the full album bio.
Louis Sclavis, Benjamin Moussay Unfolding
September 13, 2024
Having previously joined forces on several Louis Sclavis recordings for ECM, including the clarinetist’s last album Characters On A Wall, in recent years Sclavis and pianist Benjamin Moussay increasingly focused on their two-way communication, playing expansive and well-received concerts throughout Europe. Now, in a program of originals – two-thirds from the pianist’s pen, the remaining third by the clarinetist – the French duo dreams up a world of chamber conversations that juxtaposes lyrical contemplation with whimsical inventiveness in a joyous, concentrated collaboration. Thoughtfully, the duo envelopes delicate themes in warm improvisations that never rush, but patiently explore the written material with rare creativity and in fluid dialogues. Recorded at Studios La Buissonne, Southern France in March 2024, Unfolding was produced by Manfred Eicher.
Click here for the full album bio.
Trygve Seim, Frode Haltli
Our Time
September 13, 2024
“Pure beauty is the common tone of Trygve Seim and Frode Haltli. There is something folk-song-like in this music – intersections where secular and sacred music meet to dance.” This is what the German weekly paper Die Zeit said on the duo’s debut release Yeraz back in 2008 and while the statement still holds up today, the rapport between the saxophonist and the accordionist has grown even more fluid in the meantime. On Our Time Trygve and Frode exchange counterpuntal glances, lyrical swells and textural explorations with grace, eloquence and utmost nuance, presenting a program of originals, improvisations and evocative recastings of traditional folk songs from Ukraine and North India. Recorded at the Himmelfahrtskirche in Munich, in 2023, and produced by Manfred Eicher, on Our Time the saxophonist and accordionist’s tones meet in a surreal and magical dance.
Click here for the full album bio.
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