Catherine Russell | “Alone Together” | March 1 via Dot Time Records

She virtually stands alone on today’s jazz landscape.” — Los Angeles Times

“…sassy, sexy, humorous, reflective, and joyous.” — DownBeat (Five Stars)

“A voice that wails like a horn and whispers like a snake in the garden of eden.” — NPR

Alone Together, vocalist Catherine Russell’s seventh studio album as a leader, is a search for truth. Drawing on composers and lyricists of The Great American Songbook—Irving Berlin, Eddie de Lange and Jimmy Van Heusen—along with songwriters from the Swing and Rhythm & Blues eras—Nat Cole, Louis Jordan, and Al Dubin and Harry Warren—Russell invigorates their creations. At the center is Russell’s voice, and while comparisons to Ella, Billie, Sarah, and Dinah abound—while flattering—she has a sound all her own. “Blues infused jazz tunes are the ones I gravitate towards, because they enable me to freely express myself in the moment,” says Russell.

Catherine Russell is a native New Yorker, born into musical royalty. Her father, the late Luis Russell, was a legendary pianist/composer/bandleader and Louis Armstrong’s long-time musical director. Her mother, Carline Ray, was a pioneering vocalist/guitarist/bassist who performed with International Sweethearts of Rhythm, Mary Lou Williams, Sy Oliver, and countless others.

The songs on Alone Together ask timeless questions. Russell’s curatorial skills shine brightly with thirteen compositions, from the obscure to familiar standards. The title track, written by Arthur Schwartz and Howard Dietz, is full of hope that if everyone sticks together, we can overcome whatever is in front of us.

On her current outing, Russell embarks on a yearning quest. A philosophical mood pervades the proceedings, even when the singer gives in to her penchant for having fun. In “You Can’t Pull The Wool Over My Eyes,” a popular tune in 1936 among swing era big bands, this “honey lamb” won’t give in to deception. “Honesty is a good thing, and that’s what this tune is about,” says Russell. “And you can’t foolme.”

Russell continues with blues tunes by Louis Jordan: “Early In The Morning” and “Is You Is or Is You Ain’t My Baby.” “Louis Jordan to me is pure fun, comical, bluesy and rhythmic,” Russell says. “The rhythm & blues era reminds me of having a good time with people.” An undeservedly obscure, long forgotten gem, “He May Be Your Dog, But He’s Wearing My Collar,” originally recorded by blues singer Rosa Henderson in 1923, declares that “a lie is some disgrace,” to which our heroine won’t abide, reaffirming the importance of honesty.

A thread of questioning continues through tunes like Irving Berlin’s classic “How Deep Is The Ocean?” and “When Did You Leave Heaven?” by Walter Bullock and Richard A. Whiting (previously covered by Little Jimmy Scott, Louis Armstrong, and Nancy Wilson), which receives Russell’s heartfelt, take-no-prisoners reading. “We don’t have the answers,” notes Russell. “How much I love you can be infinite, as infinite as the universe, and it’s an open-ended emotion.”

Alone Together features the core musicians of Russell’s touring band, including guitar virtuoso and musical director Matt Munisteri, pianist Mark Shane, bassist Tal Ronen, and drummer Mark McLean. Together, they’ve visited four continents appearing on major festivals, while also selling out concert halls from SFJAZZ’s Miner Auditorium in San Francisco, to Zankel Carnegie Hall in New York City, to Tchaikovsky Hall in Moscow.

Catherine Russell combines a pedigree, where classic jazz & rhythm and blues run through her veins, with the sensibility of a lifetime in popular music. On Alone Together, an intoxicating brew emerges. The connections are real and natural, never forced, always true.

Co-producers Katherine Miller, Paul Kahn and Catherine Russell—the team behind Russell’s previous album, Harlem On My Mind (2016), a GRAMMY® Award-nominee for Best Jazz Vocal Album—are reunited for their fifth album together on Alone Together. The winning streak started with Inside This Heart of Mine (2010), which reached #1 on JazzWeek and Roots Music Report radio charts, also charting on Billboard and reaching #1 on iTunes and Amazon jazz charts. Strictly Romancin’ (2012) was awarded Prix du Jazz Vocal (Vocal Album of The Year) by the French Jazz Academy, Grand Prix du Hot Club de France, and a Bistro Award for Outstanding Recording. Her fifth solo album, Bring It Back (2014), received a 5-star review in DownBeat.

Russell is also a featured vocalist with today’s leading big bands and symphony orchestras. She has toured with Jazz at Lincoln Center Orchestra with Wynton Marsalis, and appeared with the Count Basie Orchestra, Andy Farber and His After Midnight Orchestra, Knoxville Jazz Orchestra, Jazz Philharmonic Orchestra of St. Petersburg, Russia; Miami’s New World Symphony, and The Pasadena Pops Orchestra conducted by Michael Feinstein. In addition, Russell has joined forces with the great guitarist, vocalist and raconteur, John Pizzarelli, performing a salute to Billie Holiday and Frank Sinatra, titled “Billie & Blue Eyes,” which has become a smash hit on the performing arts circuit.

Russell’s professional life began early. After graduating with honors from the American Academy of Dramatic Arts, she was fortunate to work with David Bowie, Steely Dan, Cyndi Lauper, Paul Simon, Jackson Browne, Michael Feinstein, Levon Helm, Wynton Marsalis, Rosanne Cash, and jazz-blues vocalist Carrie Smith, among others. Performing as a backup singer, multi-instrumentalist, and lead singer, before launching her solo recording career, Russell has appeared on over 200 albums. In 2012, she received a GRAMMY® Award as a featured artist on the soundtrack of the HBO TV series Boardwalk Empire. She performed the award-winning song, “Crazy Blues,” on PBS’s Great Performances special,GRAMMY® Salute To Music Legends 2017.