PRESS RELEASES

AVAILABLE NOW: Lisa Hilton -“Escapism”- Ruby Slippers Productions

Out Today on Ruby Slippers Productions 
 
Lisa Hilton Sets Forth On A 
Journey Promoting Peace, Tranquility and 
Positive Energy with Escapism 
Lisa Hilton often settles in at her piano and riffs on everyone from Miles Davis and Horace Silver to The Black Keys and Green Day, until she can find peace within the notes, letting them fill the room and fall where they languish in this glow of calm with a touch of brooding blues. Then this past year, the world changed a bit and finding that calm seemed a little more elusive.
“Everything is charged with politics, a large portion of our world seems to be emigrating, and climate catastrophe seems constant,” Hilton says. “There’s been so much turmoil lately; we can’t find a sense of peace surfing the internet or social networks — we need really positive sources to balance out this time of disruption in our lives.”
For her 20th album — Hilton has recorded an album a year since 1997 — she wanted to provide uplift and relief, where listeners can be energized and feel rejuvenated. This became the theme for her latest release, the aptly titled Escapism. The album includes the Alan Lerner and Burton Lane standard, “On A Clear Day” and nine Hilton originals ranging from the high-voltage opener, “Hot Summer Samba” to the introspective and ethereal “Mojave Moon.” Each composition seems to generate, by albums end, a mental release or escape all its own.
“Artists have an important role in our culture and community — it is through art and music that our souls and spirits can be energized, balanced and entertained — we all need to “escape” from our challenges. I want our music to be a positive force whether you’re listening on the subway, while at work or lounging on a tropical island.Our music embraces the good experiences in our world.”
After working solo on last year’s Day & Night release, Hilton brought back saxophonist JD Allen, trumpet and flugelhornist Terell Stafford, bassist Gregg August and drummer Rudy Roystoninto Avatar Studios for one of the last sessions at that revered and storied studio before it became property of Berklee College of Music on September 1st. “It was definitely nostalgic being at Avatar the last few days before it changed ownership since no one really knows what will happen to it — we hope good things. I have recorded ten albums there and I love the rooms, they have a specialsound and ambience. I think the entire band knew this recording was a time to savor the sense of the place — there were excellent solos going on, and we had a great sound captured by our engineer, a true sound icon, James Farber. What tremendous musicians and all leaders in their own right — I feel so fortunate to continue to work again and again with them.”
Escapism is an audiophile’s delight from the team of top engineers that Hilton has worked with for years; besides recording engineer Farber, it was mixed by 23-time GRAMMY® Award-winning engineer Al Schmitt at the legendary Capitol Studios in Hollywood and mastered by multi-GRAMMY® Award-winners Gavin Lurssen and Reuben Cohen.
With all that continues to change in our world, Escapism seeks a journey that is focused on the feelings and positive energy it creates. Hilton allows this journey to be constructed and articulated through her written compositions evoking a sentiment of peace, tranquility and upbeat energy.
About Lisa Hilton
Hilton’s blues inflected trans-genre or poly-genre style influences extend beyond jazz legends Thelonious Monk, Count Basie, Horace Silver and Duke Ellington, to include bluesman Muddy Waters and Robert Johnson, minimalists like Steve Reich, current rockers Black Keys or modernists Prokofiev, Stravinsky and Bartok. Originally from a small town on California’s central coast, Hilton studied classical and twentieth century piano formally from the age of eight, where she was inspired by her great uncle, Willem Bloemendall, (1910-1937), a young Dutch piano virtuoso. In college though, due to the lack of creativity in the program, she became a music school drop out, switching majors and receiving a degree in art instead. Ever since becoming a professional musician, this background in the fine arts has well informed Hilton’s composition process.
Committed to helping students who are often overlooked, for many years Hilton has regularly spent time to help blind students at the Perkins School for the Blind in Boston, The Chicago Lighthouse for People Who are Blind or Visually Impaired, The Junior Blind of America in Los Angeles, Camp Bloomfield for the Blind in California, or The Berklee College in Boston and their adaptive music lab for visually impaired musicians. “I enjoy extending help to those with physical disabilities – music should be for everyone,” Hilton explains.