Kaveh Rastegar | “Light of Love” | Available August 10 via Ropeadope Records
Bassist/Songwriter Kaveh Rastegar Melds Influences
From R&B, Hip-Hop, Jazz, Rock and Folk
for his Eclectic Solo Debut
Light of Love, Out August 10 on Ropeadope,
Features an All-Star Cast Playing New Songs by the
Kneebody Bassist and Songwriter/Sideman for
John Legend, Sia, De La Soul, Bruno Mars and others
Album Features Chris Dave, Nicholas Payton,
Becca Stevens, Brandon Coleman, Dawn Richard,
and Jeff Babko, Among Others
* * *
“Kaveh is an exceptionally talented, versatile musician. We’ve played
together for years and he brings joy and musicality to every performance.
He’s translated that energy to this beautiful collection of songs.” — John Legend
“My brother Kaveh provides us with his heart in every note he plays.
A true representative of quality music!” — Posdnuos, De La Soul
“I am impressed by Kaveh I am intrigued by Kaveh he speaks and teaches
in Italian, he speaks Persian he is well read and has a love for cinema, there’s an
aire of mystery about Kaveh but who ever really and truly knows a person. So I
listen to his playing and I am moved. His bass playing can transverse the world of
The Rolling Stones to the pocket and groove of my favorite moments in the
glory days of hip hop. He plays this fucking typecast instrument with beauty
and grace. His songs are often disguised by levity but with further listening
you are able to mine many emotions and considerate craftsmanship.
Kaveh is fucking awesome.” — Meshell Ndegeocello
“Kaveh has changed the course of my musical journey. He’s been able
to fluently read me as an artist and is capable of translating my exact thoughts.
Along with being an incredible musician, I’ve had the pleasure of getting to know
him as a person. An open spirit with nothing but genuine intention, Kaveh
has made an impact on me in ways that will follow me for the rest
of my life and career.” — Sabrina Claudio
* * *
Those who have been paying close attention have realized by now that Kaveh Rastegar has been the secret weapon behind some of the most thrilling music of the last 20 years, across a wide spectrum of styles.
As a bassist, Rastegar is best known as a founding member of the genre-blurring, GRAMMY® Award-nominated quintet Kneebody, though he’s also toured the world with superstars like John Legend (and also appeared as his fictional counterpart in the beloved musical La La Land), recorded with Shania Twain and Beck, served as musical director for singer/hitmaker Sia, and worked with R&B sensation Sabrina Claudio as both songwriter and co-producer. As a songwriter, he’s penned songs with and for heavy-hitters like Bruno Mars, Cee Lo Green, Meshell Ndegeocello, De La Soul and Ciara, among many others.
Now, with the release of Light of Love, Rastegar is intent on being a secret no more. On his debut album as a leader, the bassist and songwriter strides boldly into the spotlight with a set of songs that draw on every aspect of his wildly diverse résumé to create a wholly individual sound. Like its striking cover art, Light of Love is a collage – of influences, experiences, and collaborations – that merge to form a mosaic portrait of Rastegar’s talents and interests. Featuring an all-star line-up of gifted singers and musicians, the album (due out August 10 via Ropeadope) features songs as compelling as they are uncategorizable, fueled by entrancing grooves, unexpected twists and captivating storytelling.
Rastegar refers to Light of Love as a “family album,” bringing together a cast of longtime friends and collaborators to craft songs that unite jazz-club virtuosity with pop-chart soul. The roll call of singer-songwriters includes Amy Kuney (aka AMES), Becca Stevens, Gaby Moreno, Dawn Richard, David Garza, Mike Viola, and Rastegar himself, riding the waves of sound created by drummers Chris Dave (D’Angelo, Robert Glasper) and Scott Seiver (Tenacious D, Aimee Mann), trumpet great Nicholas Payton, keyboardists Brandon Coleman (Stevie Wonder, Kamasi Washington) and Jeff Babko (James Taylor, Martin Short), and guitarists Chris Bruce (Seal, Bettye Lavette) and Josh Lopez (Macy Gray, Black Eyed Peas).
“This album is a long time coming,” says Rastegar. “I wanted to make something that bridges the gaps between all the different musical worlds that I find myself in — music that feels really good and also uses all of these voices.”
The results range from the smoldering cosmic love song “Accidents Waiting to Happen” to the swampy blues-rock lurch of “As Long As You Love Me;” the stripped-down soul of “A Little Too Late” to the intimate but anthemic “Cuento Ilogico;” the sensual groove of “Lavender” to the Velvet Underground inspired drone-pop of “Bad Ideas.” The title track basks in its finger-snapping groove while “Roll Call” lays back into a late-‘70s SoCal vibe reminiscent of the Doobie Brothers. “Long March” surges with a bracing stop-start funk, the perfect foil for Nicholas Payton’s acid-tongued trumpet.
If the songs’ memorable melodies wrap around some unfamiliar contours, that’s most likely due to the unique circumstances of the album’s songwriting. Rastegar entered the studio on separate occasions with Dave and Seiver, engaging the inventive drummers in loose, freewheeling jam sessions. Rastegar took those recordings, isolated some of the more inspired moments, and built songs around these improvised rhythm tracks. He collaborated with the singers in different ways; some were sent tracks and composed their own lyrics, while others got together with Rastegar in the studio to hash out the songs together.
“What I’ve learned as a songwriter is that there’s a thousand different ways to write a song,” Rastegar says. “I’ve always been a big fan of all kinds of music, but when I was younger I never really thought about why they were made. I just assumed that they sprouted up like flowers. But as I’ve stepped out as a songwriter and a producer, I’ve found that each song makes its own statement. The way this music came together, with a lot of freedom in the initial recording, there ended up being a lot of surprises that you wouldn’t normally have if you’d written the chords and the melody first.”
Several of Rastegar’s improvisations with Dave ended up as compelling miniatures in their own right, elaborated to become instrumentals like the futuristic funk of “Tom Tom” and the shimmering synth-pop of “Cat Woman.” album ends with a solo bass arrangement of Caetano Veloso’s “Luz Do Sol” that shows off the tender beauty of Rastegar’s playing.
“Bad Ideas,” Rastegar’s debut as a vocalist, presages a forthcoming singer-songwriter project that will feature him as sole front-man. With his debut, however, Rastegar wanted to display his panoramic talents through a wider lens. Light of Love does just that, offering infectious tunes and scintillating virtuosity, eclectic approaches with a singular vision.