Regina Carter

A hundred years after her birth, the ever-eloquent Ella Fitzgerald continues to teach us lessons. Regina Carter has chosen this moment to celebrate the First Lady of Song’s infectious and inclusive artistry with unabashed joy. “Accentuate the Positive, I thought was the perfect title considering the mood of the country and the world right now,” Ms. Carter says. “We need some positive vibes.”
On Ella: Accentuate the Positive, out April 21 from OKeh/Sony Music Masterworks, the virtuoso violinist reveals the many faces of Fitzgerald that have influenced Carter’s own remarkable path in music. Apart from the title track of Accentuate the Positive, Carter resists the allure of the songstress’ most recognizable hits. Carter has mined tunes from deep within Ella’s bountiful catalogue, and brought them to the surface with a distinct freshness. The reward is rich for the listener.
“One of the many things that I adore about Ella is that she just loved music and didn’t box herself in,” Carter explains. “She recorded everything, not just the American Songbook — doo-wop, Stevie Wonder and Beatles songs, even some country western music. The fact that she experimented with so many different styles made me feel that, with this record, I would pay respect to her by taking the music and doing something else with it. I feel that she would smile in agreement.”
To realize her vision of the album, which transforms the songs through a lens of classic 1950s-’60s soul and blues, Carter calls on an impressive roster of musicians and arrangers. The violinist is accompanied by her longtime rhythm section of bassist Chris Lightcap and drummer Alvester Garnett, and is joined by pianist Xavier Davis and guitarist Marvin Sewell. Both Lightcap and Sewell serve double-duty as arrangers.
This talented group is supplemented by in-demand bassist Ben Williams, producer and hitmaker Ray Angry, renowned vocalist Charenee Wade and pianist Mike Wofford, Fitzgerald’s own former accompanist and musical director. Two tracks feature vocals by Carter’s fellow Detroiters, actress and singer Miche Braden; and longtime friend and vocalist extraordinaire Carla Cook, who first introduced Carter to jazz violin while the two were classmates at Cass Technical School.
“When people arrange tunes, their voices become part of the recording as well,” Carter says. “I wanted to have many voices and many stylistic approaches on this record.”
Adoration of Ella Fitzgerald is a theme that is woven throughout the violinist’s career. Many songs previously have found their way onto Carter’s recordings. For instance, “Oh, Lady Be Good,” shows up on 1999’s Rhythms of the Heart while “A-Tisket, A-Tasket” appears on the 2006 release, I’ll Be Seeing You: A Sentimental Journey, the moving tribute to Carter’s late mother. Central to Carter’s choice of songs for the album was the ability to spark a connection between the audience and the material, similar to the connection she felt upon hearing Ella for the first time. On the heels of Braden’s spirited, gospel-tinged performance on the opening “Ac-cen-tchu-ate the Positive” comes Williams airily funky arrangement of “Crying in the Chapel.” Best known as a hit for ’50s R&B group, The Orioles, and recorded by everyone from Elvis Presley to Bob Marley, the song was the B-side to Ella’s 1953 single “When the Hands of the Clock Pray at Midnight.” Lightcap’s bluesy take on “I’ll Never Be Free” follows, while Davis’ sultry Rhodes sets the tone for the slinky groove of Sewell’s arrangement of “All My Life.”
Wofford’s setting of the standard “Dedicated To You” pares the band down to a violin/piano/bass trio, allowing Carter’s touching lyricism to shine. Angry gives “Reach for Tomorrow” a shimmering ballad treatment, while Wade’s gutsy R&B take on “Undecided” shines the spotlight on Cook’s powerhouse, no-nonsense vocal. Carter pairs off with Sewell for an intimate duo rendition of “Judy,” the song that jump-started Fitzgerald’s career on the stage of the Apollo Theater. Finally, Sewell’s gutbucket slide guitar fuels the rootsy version of “I’ll Chase the Blues Away” to bring the album to a close.
A student of the violin from age four, Detroit native Carter first focused on listening to classical music. But a vast wealth of influences crept into her ears via her music-loving family. Her older brothers brought home Motown and other soul records, an influence certainly felt on Accentuate the Positive. From her parents’ record collection she would pull titles at random — one day jazz albums, the next, movie soundtracks. It was through that treasure trove that she first heard Ella and instantly was hooked.
“Something about her voice made me feel like I had a personal connection,” Carter recalls. “When she sang, I felt really warm and safe, almost a maternal connection. It just felt like love.” For Carter, the enchantment continued into adulthood. She grew to realize how much technique and virtuosity were involved in producing a sound so remarkably warm and inviting. “As an adult, I realized what an instrument she (Ella) had,” Carter continues. “She had an incredible voice and I gained a lot of respect for her along with the love I had always felt. For years, I would get up and put on an Ella track first thing in the morning. That was the way I needed to start off my day.”
Accentuate the Positive is the end result of Carter’s daily communion with and lifelong devotion to the music of Ella Fitzgerald. In her heartfelt and deeply personal interpretations of these songs we can hear the same degree of warmth, feeling and elegance that imbued the legendary singer’s work as filtered through Carter’s singular voice. And that’s nothing but positive.

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Date Artist Venue
May 3, 2017 Regina Carter
Dakota Jazz Club & Restaurant
1010 Nicollet Mall
Minneapolis, MN 55403
May 5, 2017 Regina Carter
Chicago Symphony Center
220 S Michigan Ave
Chicago, IL 60604
May 6, 2017 Regina Carter
Jazz Kitchen
5377 N College Ave
Indianapolis, IN 46220
May 8, 2017 Regina Carter
Four Seasons
757 Market St
San Francisco, CA 94103
May 18-21, 2017 Regina Carter
Jazz Standard
116 E 27th St
New York, NY 10016
May 28, 2017 Regina Carter
Kansas City Jazz & Heritage Festival
1616 E 18th St
Kansas City, MO 64108
July 19, 2017 Regina Carter
Hollywood Bowl
2301 Highland Ave
Los Angeles, CA 90068
August 19, 2017 Regina Carter
MCASD Sherwood Auditorium
700 Prospect St
La Jolla, CA 92037
September 14-17, 2017 Regina Carter
Monterey Jazz Festival
2004 Fairground Rd
Monterey, CA 93940
October 6, 2017 Regina Carter
Annette Strauss Square
2403 Flora St
Dallas, TX 75201
October 7, 2017 Regina Carter
Connecticut College
270 Mohegan Avenue
New London, CT 06320
November 17-18, 2017 Regina Carter
Herbst Theatre
401 Van Ness Ave
San Francisco, CA 94102
November 19, 2017 Regina Carter
Bach Dancing and Dynamite Society
307 Mirada Rd
Half Moon Bay, CA 94019
November 20, 2017 Regina Carter
Kuumbwa Jazz Center
320 Cedar St #2
Santa Cruz, CA 95060

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Virtuoso Violinist Regina Carter Digs Deep Into the Ella Fitzgerald Catalogue on “Ella: Accentuate the Positive”

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