Harold Mabern

With Afro Blue, his second album for Smoke Sessions Records, Harold Mabern has taken a compelling new angle on his exceptionally creative musical vision. But for those who are truly familiar with this extraordinary pianist’s talents, it is a project that is long overdue. While he may be best known for his powerful playing while soloing or driving so many of jazz’ finest hornmen to spectacular heights of fire and thunder, Mabern has enjoyed a reputation among vocalists as one of the music’s most sensitive and stimulating accompanists for more than 50 years – ever since his early days playing with the unparalleled Betty Carter.

On this album, Mabern has selected five of his favorite vocalists — who also just happen to be some of the most popular and respected singers on today’s scene — and is featuring them as special guests in the company of his own outstanding ensemble. Gregory Porter, Norah Jones, Jane Monheit, Kurt Elling and Alexis Cole perform individually alongside Mabern’s regular ensemble of Eric Alexander on tenor sax and the bass/drums tandem of John Webber and Joe Farnsworth; plus additional guests, trombonist Steve Turre and trumpeter Jeremy Pelt on four and six tracks respectively. Eminent guitarist Peter Bernstein is featured on one track as well.

“I love to play for singers,” explains the pianist. “I feel honored and flattered that these wonderful vocalists would want to be part of my little project. I feel good when singers say they love the way you play. That’s a very special compliment.”

Despite the wide variety of personnel, the album is fully cohesive and artfully conceived, with Mabern’s soulful, blues-rooted style of piano expression as its radiant nucleus. The repertoire of 14 pieces is a fascinating assemblage of standards, jazz classics, Mabern originals and a couple of unexpected contemporary hit songs – all performed in captivating fashion and constructed upon marvelous arrangements. Of the four Mabern originals, three are dedications to jazz immortals.

The album opens and closes with two of the homages – both instrumentals. “The Chief” (for John Coltrane) is for quintet, appropriately modal and fiery; and the trio piece “Bobby, Benny, Jymie, Lee, Bu” closes with a tribute to that edition of Blakey’s Jazz Messengers in the funky hard bop flavor those five giants brought to their classic version of Bobby Timmons’ “Moanin'”. The trio is also featured on a sizzling rendition of John ‘Moz’ Farnsworth’s “Mozzin'” fired up by his brother’s drumming. The other instrumental, Steely Dan’s biggest hit “Do It Again,” is a feature for Bernstein’s guitar wizardry. A third Mabern original, “Such Is Life,” features Alexis Cole deftly handling Mabern’s lyrics and infectious melody, with the three horns providing a backdrop somewhere between calypso and highlife.

Gregory Porter is featured on two pieces, a vividly smoking take on the Mongo Santamaria/Oscar Brown Jr. title cut, with Mabern stoking in classic Afro-Cuban piano mode; and in a delightful easy groove on the fourth Mabern original “The Man from Hyde Park” – a dedication to Herbie Hancock. Norah Jones brings her highly personal style to Bloom & Mercer’s “Fools Rush In,” smoothly swinging over Blakey-ish horns; and in an enchanting, intimate duet with Mabern on Gordon Parks’ lovely “Don’t Misunderstand.” Jane Monheit is buoyantly spirited on Oakland & Hammerstein’s “I’ll Take Romance,” and mesmerizing on Wood & Mellin’s gorgeous “My One and Only Love.” Bird’s bop icon “Billie’s Bounce” is a rip-roaring sojourn in scat by the remarkable Kurt Elling, while the acclaimed vocalist aptly demonstrates his ballad mastery with a most poignant take on Robinson & Burdge’s exquisite “Portrait of Jennie.” A fortunate serendipity on the Anne Murray mega-hit, Randy Goodrum’s “You Needed Me” – which was slated to be an instrumental feature for Alexander’s robust tenor – caused Mabern to call an audible when he heard Elling sing the first few words as he was about to depart the studio. The deeply moving results show how magic can be born by chance.

Mabern is unequivocally enthusiastic about this new album: “Wow! I can’t believe we pulled all of it off. Everybody involved did a ten-star job. Simply beautiful!”

Dazzling vocal artistry, impeccable musicianship, imaginative soloing, and that elusive substance of true synergy focused by the singular vision of a brilliant artist make Afro Blue a truly special experience. For Harold Mabern, whose enormous accomplishments as a leader are sometimes eclipsed by his reputation for helping so many Jazz heavyweights realize their own musical visions, Afro Blue is further testimony to his own legend.

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Smoke Sessions Records Releases Harold Mabern’s
Afro Blue as Limited Edition 180 Gram Double LP 
to Celebrate Esteemed Pianist’s 80th Birthday

Three Nights of Performances at Smoke Jazz & Supper Club
to Celebrate Vinyl Release and Landmark Birthday:
Friday, March 18 through Sunday, March 20

“…an endlessly soulful hard-bopper…” – The New York Times

Smoke Sessions Records is set to release Harold Mabern’s latest album, Afro Blue, as a limited edition 180 gram double LP on Friday, March 11. This special release, which was mastered by renowned mastering engineer Kevin Gray, was pressed at Memphis Record Pressing and includes a tip-on gatefold album jacket. 
Three nights at Smoke Jazz & Supper Club will support the release and celebrate the esteemed pianist’s 80th birthday from Friday, March 18 through Sunday, March 20 with a rotating lineup of special guests. On Friday, Mabern will be joined by vocalist Kurt Elling, bassist John Webber and drummer Joe Strasser; Saturday will feature guitarist Russell Malone, bassist John Webber and drummer Jimmy Cobb; and on Sunday by he will be joined by tenor saxophonist George Coleman, bassist Bob Cranshaw and drummer Joe Farnsworth.  
With Afro Blue, his second album for Smoke Sessions Records, Harold Mabern has taken a compelling new angle on his exceptionally creative musical vision. But for those who are truly familiar with this extraordinary pianist’s talents, it is a project that is long overdue. While he may be best known for his powerful playing while soloing or driving so many of jazz’ finest hornmen to spectacular heights of fire and thunder, Mabern has enjoyed a reputation among vocalists as one of the music’s most sensitive and stimulating accompanists for more than 50 years – ever since his early days playing with the unparalleled Betty Carter.
On this album, Mabern has selected five of his favorite vocalists — who also just happen to be some of the most popular and respected singers on today’s scene — and is featuring them as special guests in the company of his own outstanding ensemble. Gregory Porter, Norah Jones, Jane Monheit, Kurt Elling and Alexis Cole perform individually alongside Mabern’s regular ensemble of Eric Alexander on tenor sax and the bass/drums tandem of John Webber and Joe Farnsworth; plus additional guests, trombonist Steve Turre and trumpeter Jeremy Pelt on four and six tracks respectively, and eminent guitarist Peter Bernstein on one track as well.
“I love to play for singers,” explains the pianist. “I feel honored and flattered that these wonderful vocalists would want to be part of my little project. I feel good when singers say they love the way you play. That’s a very special compliment.”

Despite the wide variety of personnel, the album is fully cohesive and artfully conceived, with Mabern’s soulful, blues-rooted style of piano expression as its radiant nucleus. The repertoire of 14 pieces is a fascinating assemblage of standards, jazz classics, Mabern originals and a couple of unexpected contemporary hit songs – all performed in captivating fashion and constructed upon marvelous arrangements. Of the four Mabern originals, three are dedications to jazz immortals.
Dazzling vocal artistry, impeccable musicianship, imaginative soloing, and that elusive substance of true synergy focused by the singular vision of a brilliant artist make Afro Blue a truly special experience. For Harold Mabern, whose enormous accomplishments as a leader are sometimes eclipsed by his reputation for helping so many Jazz heavyweights realize their own musical visions, Afro Blue is further testimony to his own legend.
“Afro Blue” was recorded live in New York at Sear Sound’s Studio C on a Sear-Avalon
custom console at 96KHz/24bit and mixed to ½” analog tape using a 
tuder mastering deck. Available in audiophile HD format. 

Harold Mabern · Afro Blue (limited edition double LP)
Smoke Sessions Records  ·  Release Date: March 11, 2016

For more information on Harold Mabern, please visit HaroldMabern.JazzGiants.net
For more information on Smoke Sessions Records,

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DL Media  ·  610-667-0501
Maureen McFadden  ·  maureen@dlmediamusic.com

Don Lucoff  ·  don@dlmediamusic.com

 
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and bios) on all DL Media artists can be found at our website: dlmediamusic.com

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“Mabern’s soulful, blues-driven style is the constant highlight.” – WBGO

“Even without the wind at his back, Mabern, if true to form, will sound like an ocean roar as he performs…” – Owen McNally, WNPR

“Mabern is at the top of his game. His solos are rich and filled with wit.” – Jack Goodstein, Seattlepi

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    Harold Mabern – Afro Blue – Press Release

  • Harold Mabern – Afro Blue – Album Cover

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