It can be overwhelming to realize how much water surrounds us, affects us and impacts our lives. It’s an element vital to survival yet can be utterly devastating; it can be placid and beautiful or torrential and violent. It’s ubiquitous – flowing at the turn of a faucet, comprising 70% of our own bodies – yet somehow intangible, able to change form or assume the shape of its surroundings.
On his stunning new album, Be Water, pianist Christian Sands takes inspiration from water’s tranquility and power and muses on the possibilities offered by echoing its fluidity and malleability. Through ten gorgeous and thrilling pieces, Sands alternately conjures the serenity of a sun-dappled lake and the drama of a relentless thunderstorm. Just embarking on his 30s, Sands has already enjoyed a remarkable career trajectory, touring and recording with Christian McBride’s Inside Straight and Trio, as well as collaborating with the likes of Gregory Porter and Ulysses Owens.
The vividly expressionistic recording finds Sands with his core trio of longtime bassist Yasushi Nakamura and drummer Clarence Penn, with brilliant contributions from guitarist Marvin Sewell, saxophonist Marcus Strickland, trumpeter Sean Jones and trombonist Steve Davis. On one piece the ensemble is also supplemented by a string quartet featuring Sara Caswell, Tomoko Akaboshi, Benni von Gutzeit and Eleanor Norton.
Due out July 17, Be Water is Sands’ fourth release (including a five-track digital-only EP as an extension of his debut album Reach) for Mack Avenue Music Group. The album takes its title from the philosophy of martial arts master and movie star Bruce Lee (by way of screenwriter Stirling Silliphant, who distilled his thoughts for the screen). Lee’s voice appears on both halves of Sands’ title track offering this profound advice: “Empty your mind. Be formless, shapeless, like water. If you put water into a cup, it becomes the cup; you put water into a bottle, it becomes the bottle... Water can flow, or it can crash. Be water, my friend.” (Bruce Lee inspirational quote)
Lee was an early idol for Sands, who grew up watching his classic films with his father and skillfully studied a variety of martial arts himself – until the notion of breaking boards and cinder blocks with his hands seemed ill-advised for a promising young pianist. Lee’s teachings re-entered Sands’ thoughts during his two-year residency with Jazz at Lincoln Center in Shanghai, China, which opened up new worlds of culture and philosophy to him. Those pursuits led him to the writings of Sufi master Hazrat Inayat Khan on the mysticism of sound and music.
“I was trying to practice being more open, more free, more flexible than I usually am,” Sands explains. “Through that I started to have this awareness of just how much water was all around me. As I was touring it seemed to be raining every day; I actually had to change a few dates because of a hurricane. I even started seeing a new doctor who told me I needed to drink more water [laughs]. It seemed to be some kind of a divine message to pay attention to water.”
In case the pianist wasn’t receiving that message, it was delivered in an even more direct and moving form one day following a performance in Hawaii. “I was driving back to the airport and had a little bit of time to kill,” Sands recalls. “We decided to stop along the way at this very beautiful park. We were sitting by the water and a huge sea turtle swam slowly up to me. He came very close and peeked his head out as if to say, ‘This is the essence of what you need to be writing about.’”
Point taken, Sands began composing his most wide-ranging and ambitious set of compositions to date. The introductory track takes form gradually, with the glacial pace and implacable momentum of a rising tide. The simple sounds of lapping waves flow into a dawning melody on arco bass, slowly but forcefully surging to a gripping crescendo as more instrumentalists join in. The piece was modeled on the impactful openings of another of Sands’ major influences, filmmaker Quentin Tarantino.
The rollicking “Sonar” takes the concept of navigating via sound as a metaphor for the way in which we relate to our surroundings, echoing off of and situating ourselves within a larger picture. Lee’s words usher in the chorale-like “Be Water I,” with its interwoven horn lines over Penn’s shifting tempos. Its companion piece, “Be Water II,” is an elegant dance between the trio and the string quartet, arranged by Sands’ Manhattan School of Music classmate Miho Hazama.
Propelled by Penn’s driving rhythm, “Crash” depicts the impact of waves on the shore, or the collisions among people. The scintillating “Drive” peers within, imagining personal ambition with the unstoppable force of the ocean and summoning ferocious solos from Strickland and Sewell. The amorphous “Steam” finds water taking its most elusive form, evaporating into thin air before one’s very eyes; the piece offers the trio at its most abstract yet always maintaining a perfect tension between its three diverging and reconvening poles.
The cyclical nature of water, its ability to flow staggering distances or gather in the clouds only to fall back to earth, sparked the choice of the album’s sole non-original, a gospel-tinged take on Steve Winwood’s “Can’t Find My Way Home” (originally recorded by the supergroup Blind Faith). The wistful pairing of Sewell’s luxuriant guitar and Sands’ evanescent touch evoke the calmness of a wave-free lake on “Still.” The fanfare-like “Outro” playfully reverses the “Intro,” ending the album on a cinematically celebratory note.
The music of Be Water flows with the mesmerizing tranquility and awesome power of its namesake. On his most conceptually ambitious album to date, Christian Sands takes heed of Bruce Lee’s wisdom and truly allows his creativity to transform and assume a dazzling variety of forms.
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- Christian Sands’ Releases New Track “Sonar” - Critically Acclaimed Pianist/Composer Christian Sands Releases New Single “Sonar“ Be Water Available for Pre-Order Now, Available July 17 via Mack Avenue Records Album Features Yasushi Nakamura, Clarence Penn, Marvin Sewell, Marcus Strickland, Sean Jones and Steve Davis On his stunning new album, pianist Christian Sands takes inspiration from water’s tranquility and power and muses on the possibilities offered by echoing…
- Christian Sands | “Be Water” Available July 17 via Mack Avenue Records - Pianist Christian Sands Finds Inspiration in the Multitude of Form, Infinite Fluidity and Life-Giving Vitality of Water on Third Full Length Album for Mack Avenue Records Be Water, Due Out July 17, Features Yasushi Nakamura, Clarence Penn, Marvin Sewell, Marcus Strickland, Sean Jones and Steve Davis Music Conjures Serenity and Violence of Water Through Sweeping,…
- Christian Sands | “Facing Dragons” | Available September 21 via Mack Avenue Records - Christian Sands Returns with New Studio Album Facing Dragons, Available September 21 on Mack Avenue Records Album Features Marcus Strickland, Keyon Harrold, Yasushi Nakamura, Jerome Jennings, Caio Afiune, Cristian Rivera, & Roberto Quintero Not yet 30, Christian Sands is currently one of the most in-demand pianists working in jazz. In the last few years…
- Available Now: Christian Sands | “REACH Further EP” | Mack Avenue - Out Today on Mack Avenue Records: Christian Sands’ Digital-Only Live REACH FURTHER EP New Full-Length Album Scheduled for Fall 2018 After a dynamic 2017, filled with international touring and the release of his critically acclaimed Mack Avenue Records debut album REACH, singularly talented pianist, GRAMMY® Award-nominee, and Steinway artist Christian Sands is expanding on his…
- Christian Sands | “REACH FURTHER EP” | Available May 18 via Mack Avenue Records - Christian Sands Announces Ambitious Summer with Digital-Only Live REACH FURTHER EP, International Touring & Serving as Creative Ambassador to the Erroll Garner Project REACH FURTHER EP Available May 18 via Mack Avenue Records New Full-Length Album Scheduled for Fall 2018 After a dynamic 2017, filled with international touring and the release of his critically acclaimed…
- Christian Sands Rounds Out Critically Acclaimed Year With International Tour - Christian Sands Upcoming International Tour Dates: October 10 / Blue Note Milano / Milan, Italy October 11 / Jazzclub Q4 / Rheinfelden, Germany October 12 / Jazz Club Bix / Stuttgart, Germany October 13 / Jazz Club Unterfahrt / Munich, Germany October 14 / Ferrara Jazz Club / Ferrara, Italy October 16 / Ronnie Scott’s / London, UK October 17 / Magic Mirrors / Toulouse, France October 18 / Tourcoing…
- Christian Sands – “Reach” – Available April 21 - With his debut Mack Avenue Records recording, REACH, singularly talented pianist and five-time Grammy® Award nominee Christian Sands is stretching into exciting progressive territory as he breaks new ground traversing from the straight-ahead zone into fresh-sounding music influenced by a range of styles, from Afro-Cuban rhythms to hip-hop beats to dirty blues with an edge.…
“...a display of casual ebullience that
would impress at any age.” - NPR 'First Listen"
Featured on NPR 'First Listen"
"Here’s yet another exceptional young pianist,
who is somehow not yet 30.” - Columbia Daily Tribune
"Facing Dragons is a strong album representing everything that
is great about jazz and its latest generation of practitioners.” - The Vinyl District
Featured in: Stereogum "Ugly Beauty"
“‘Facing Dragons’ is a promise that tomorrow’s jazz is in good hands.” - DownBeat
“…the last track “Rhodes to Meditation,” music be acknowledged — a solo piece
on Fender Rhodes, glistening in reverb and reminiscent of Brian Eno. End your journey here, breathe deep and you’re home.” - DownBeat
Featured on NPR "All Songs Considered" Podcast
"He plays beautifully in so many styles. He honors and knows his predecessor masters. He can build a solo with drama, and he writes well.” - PopMatters
“...it certainly ups the ante and gives plenty of fuel to those who argue
that Sands is the leading pianist of his generation.” - All About Jazz
“He’s matched strike for strike by Nakamora and Jennings, who
deliver the kind of whomping impact heard on mid ‘70s McCoy Tyner
albums like Atlantis.” - New York City Jazz Record
"This is an album breathing fire and creativity,
like its ‘dragon’ title.” - Musical Memoirs
"The album is a varied and ambitious display of Christian's copious talents,
as both a player and composer/arranger." - Hot House
in a pianist twice his age…” - New York Magazine