Christian McBride

When Philadelphia-born bassist/bandleader Christian McBride arrived in New York in 1989 as a Juilliard student, he was the “Godchild of the Groove” with unlimited potential. Today, with over 300 recordings as a sideman and 11 critically-acclaimed albums as a leader, he now reigns supreme as the “Lord of the Lower Frequencies.” He’s the influential and ubiquitous bassist of his generation, as evidenced by his quintet Inside Straight, his big band, his trio and his work with everybody from James Brown, Pat Metheny, Chick Corea and Wynton Marsalis to Sting, The Roots, Bruce Hornsby and Paul McCartney.

It is fitting that the four-time Grammy® Award-winning McBride would eventually record at the Village Vanguard, the most hallowed and historical nightclub in jazz: an underground Mount Olympus where the gods and titans of the music – from John Coltrane to Bill Evans – have cast their syncopated spells.

“You can literally feel the ghosts of all of the legends that played there,” McBride says. “You feel Coltrane hovering in the vortex. You feel Monk hovering in the vortex. Miles Davis, Mingus… you feel all of that in the air.”

And with his new Mack Avenue Records album, Live at the Village Vanguard, you can feel and hear McBride in the same air, along with his magnificent trio, which features drummer Ulysses Owens, Jr. and pianist Christian Sands. They swing and swoon on nine tracks of originals, jazz standards and some surprise R&B/pop selections.

This record is the fruit of McBride’s long association with the Vanguard, where his first appearance as a leader for the historic club was in 1995. In 2007, the bassist and charismatic club owner Lorraine Gordon started an annual one-week residency, which featured McBride’s quintet, Inside Straight. “Lorraine enjoyed my trio and my quintet, Inside Straight. We had such large crowds, so after a few years with such supportive audiences, we added an extra week. Instead of doing the same band for two weeks, I just started bringing in a different band. This has been an ongoing relationship that I look forward to maintaining as long as I can.”

As encouraging as this association was, McBride’s fear of being typecast as a Ray Brown clone almost caused this trio to not be. “I thought the very last thing I wanted to do was to put myself in a trio, because then I’ll never be able to shed the Ray Brown comparison,” he says. “And then one day I decided that that’s sort of a silly reason not to start a trio, if musically that’s what makes sense. There were a few gigs that [saxophonist] Steve Wilson and [vibraphonist] Warren Wolf were unavailable for, so I decided to play with the rhythm section. Peter Martin was playing piano and Ulysses was playing drums. In 2010, Christian Sands started subbing for Peter in Inside Straight. So we started doing trio gigs and that’s how the group was born.

“In trying to find repertoire for the trio in our early stages, I tried to come up with songs that were easy to learn and that you can put your own spin on them,” he says. The opening track, Wes Montgomery’s “Fried Pies,” originally released on the guitarist’s 1963 LP, Boss Guitar, burns with a quicksilver, straight-ahead groove, as does the trio’s torrid take on J.J. Johnson’s “Interlude” from Cannonball Adderley’s 1965 Domination album.

Sands’ lilting composition “Sand Dune” would make a perfect companion to Coltrane’s “My Favorite Things” on any playlist, while the well-worn standard “Cherokee” is rendered at a blistering, swing-at-the-speed-of-sound. In contrast, the trio’s take on the spiritual “Down By The Riverside” grooves in a medium tempo buoyed by Owens’ expert and inspired drumming. Billie Holiday’s “Good Morning Heartache” is reborn by the trio with a ghostly, rubato intro, which evolves into a soulful, sonic séance.

Two selections from the album aurally illustrate how McBride’s outward embrace of non-jazz material harkens back to a time when jazz had a long-standing engagement with pop music. The trio’s treatment of the Rod Temperton-composed ballad “The Lady In My Life,” (from Michael Jackson’s uber-LP Thriller) resonates with the same kind of noir nuance Bill Evans was known for. “If anyone can get over the fact that it’s not ‘a jazz tune,’ they’d be able to notice that it’s got one of the most gorgeous melodies,” McBride says. The album concludes with a spirited take on the funky title theme song the 1977 movie “Car Wash.” “This was one tune where even my band members looked at me side-eyes [laughs],” McBride says. “Even my wife said, ‘so what’s next? ‘I Will Survive’?”

McBride’s inspirations Ray Brown and James Brown, his respect for non-jazz genres and his outgoing personality account for this sensational recording and for his growing stature as a jazz spokesperson and ambassador.

McBride hosts and produces “The Lowdown: Conversations With Christian,” on SiriusXM satellite radio and National Public Radio’s weekly show, “Jazz Night In America.” He also serves as Artistic Advisor for Jazz Programming at the New Jersey Performing Arts Center (NJPAC), and he works with Jazz House Kids, a nationally recognized community arts organization founded by his wife, vocalist Melissa Walker, dedicated to educating children through jazz.

“I’m glad to have these vehicles, like the NPR show, like the Sirius/XM show,” he says, “where I can tell people who may, or may not be into jazz, ‘hey, come on over and play with us’.” Live at the Village Vanguard is the titan bassist’s infectious invitation to come swing with him.

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Date Artist Venue
June 10, 2017 Christian McBride
Nova Southeastern University
3100 Ray Ferrero Jr Blvd
Fort Lauderdale, FL 33314
June 14, 2017 Christian McBride
Riverside Hotel
W Chinden Blvd
Garden City, ID 83714
June 17, 2017 Christian McBride
Seattle Symphony
200 University St
Seattle, WA 98101
June 18, 2017 Christian McBride
Kirkland Performance Center
350 Kirkland Ave
Kirdland, WA 98033

Mack Avenue Records Congratulates Christian McBride and Cécile McLorin Salvant on 2015 GRAMMY® Award Wins

Mack Avenue Records Congratulates Christian McBride and Cécile McLorin Salvant on 2015 GRAMMY® Award Wins Mack Avenue Records would like to congratulate bassist Christian McBride and vocalist Cécile McLorin Salvant on their wins at the 2015 GRAMMY® Awards. McBride received his fifth GRAMMY® Award in the Best Improvised Jazz Solo category …
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Mack Avenue SuperBand Kicks Off Debut National Tour Led by Musical Director Christian McBride Tuesday, January 26 Through Saturday, January 30 at Birdland

    DL Media MusicNEW YORK | PHILADELPHIA | PORTLANDTel: +1 610-667-0501 |​​       Mack Avenue SuperBand Kicks Off Debut National Tour Led by  Musical Director Christian McBride  Tuesday, January 26 Through  Saturday, January 30 at Birdland       Christian McBride / bass Gary Burton / vibraphone  Tia Fuller /  saxophone  Sean Jones / trumpet  …
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Mack Avenue Records Shines in September To Remember with New Releases From Christian McBride Trio; Mack Avenue SuperBand; Pérez, Patitucci, Blade; and Symphonic Jazz Orchestra

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Pianist Orrin Evans Forms All-Star Trio Featuring Christian McBride and Karriem Riggins for “The Evolution of Oneself” – Available September 11 on Smoke Sessions Records

AVAILABLE NOW ON SMOKE SESSIONS RECORDS: Pianist Orrin Evans Forms All-Star Trio for The Evolution of Oneself  Album Spans Jazz, Neo-Soul, Hip-Hop, and Country in Reflection of Personal Growth “…if you think that’s a badass trio, rest assured, it is…” – DownBeat This is a recording of an artist peaking at …
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Christian McBride Trio Celebrates Long Term Residency at Historic New York City Venue with Live at the “Village Vanguard” – Available September 18 via Mack Avenue Records

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“The bassist-as-bandleader is a fairly rare thing, with the torch being passed over the years from Charles Mingus to Ron Carter …and now to Philadelphia-born Christian McBride.” – NPR Music All Things Considered

“The deep, dark-maple tone that Christian McBride elicits from an upright bass is one of jazz’s forthright pleasures” – Nate Chinen, The New York Times 

“McBride can slap his bass with singer Dee Dee Bridgewater on the Isley Brothers’ “It’s Your Thing”; get into a hot Latin groove on pianist Eddie Palmieri’s “Guajeo Y Tumbao”; engage in abstract open exploration with pianist Chick Corea on “Tango Improvisation (hash)1;” and play more traditional jazz bass lines on the standards “Baubles, Bangles and Beads” with trumpeter Roy Hargrove and “Alone Together” with the late pianist Hank Jones.” –

“A ravenously inventive bassist and bandleader who’s equally at home dipping into electric funk as straightahead jazz, Christian McBride added to his already impressive list of accolades with a Grammy award earlier this year for “The Good Feeling,” his debut big band recording.” – LA Times

“As a bass player, Christian McBride favors depth and directness, laying down sturdy grooves that exert irresistible pull. For this, among other reasons, he has been famous, in jazz terms, since he was a teenager.” – Nate Chinen, NY Times

“Bassist Christian McBride has spun out a diverse jazz career over the past 17 years. The albums issued under his own name explore hard bop, funk, fusion, and big band sounds.” – Steve Greenlee,

Falls 25 Most Anticipated albums Billboard

  • CMT VV Cover
  • pdf
    Christian McBride Trio VV press release 6-26-15

  • Christian McBride 1 – Photo Credit: Chi Modu

  • Christian McBride 2 – Photo Credit: Chi Modu

  • Christian McBride 3 – Photo Credit: Chi Modu