Allan Harris

The outstanding and internationally renowned vocalist, guitarist and composer Allan Harris sums up his personal perspective on music in clear and straightforward terms. “There is nothing that I have found that defines and gives credence to my place in this wild and mysterious universe than this thing called music.” Harris exemplifies that statement perfectly with his stunning new album Nobody’s Gonna Love You Better (Black Bar Jukebox Redux), his eleventh album following on the heels of his highly acclaimed 2015 release Black Bar Jukebox.

For this, Harris takes an even more eclectic approach, drawing upon the wide range of music that he heard growing up in Brooklyn, and feasting on the expansive palette of the Harlem cultural landscape. “My new album captures some of the varied sounds and feelings that have shaped my growth as an artist. I had not one style to heavily rely upon when putting these tunes together, but only my young memories of music, people and events.”

Nobody’s Gonna Love You Better is a bold statement that builds upon the entire breadth of Harris’ already esteemed reputation, demonstrating his enormous versatility within the full scope of his highly creative musical vision. Swinging jazz, rich R&B, sumptuous balladry, wailing rock, rumbling blues and even a touch of playful Brazilian are all woven seamlessly into the tapestry of a musical odyssey that is all Allan Harris. With a deeply resonant baritone/tenor voice that is soulful, richly expressive and flawless in both intonation and phrasing, Harris displays a total command and fluency in every context.

Back from the previous album are the GRAMMY® Award-winning producer Brian Bacchus and Harris’ longtime keyboard cohort Pascal Le Boeuf (on acoustic and electric pianos, and Hammond B3 organ), whose deep understanding and empathy for Harris’ music creates a marvelous sense of intimacy and shared joy of expression. Pascal is also the primary instrumental soloist and delivers in an inspired fashion throughout. Joining Pascal in the exceptional rhythm section are Russell Hall on acoustic and electric bass, Shirazette Tinnin on drums and cajón, and Freddie Bryant on both electric and classical guitar. Together, with Harris also on acoustic, electric and resonator guitar, they provide impeccably flawless support, whether driving, embellishing, shaping or enhancing the settings as ideally suited to the intent of the music.

The delightful repertoire includes four Harris originals, a couple of American Songbook gems, a pair of jazz classics, and re-imaginations of hit songs from Jimi Hendrix, Steely Dan and Spiral Staircase. As he does with every lyric, Harris pays proper homage to those who have provided the inspiration for his own highly personal sound, specifically here to Ray Charles, Nat ‘King’ Cole and Eddie Jefferson on three individual items.

On “I Remember You,Harris channels Nat (a subject of an earlier Harris tribute project) in a beautifully touching rendition with brilliant piano support throughout, as well as a solo that glides in the territory where Red Garland and Erroll Garner meet. “Ruby” from the Ruby Gentry film score, and a major hit for Ray Charles – is satin-smooth balladry over an old-school swing-jazz groove, complete with Bryant’s Freddie Green-like guitar strumming. For the iconic “Moody’s Mood For Love,” Harris takes the concept of making an often-performed song one’s own to an entirely new level, offering a totally fresh interpretation – in rhythm, phrasing and lyrical structure – to the Eddie Jefferson classic. The Stan Getz/João Gilberto hit “Doralice” is a deliciously infectious samba, sung by Harris in Portuguese, and featuring a fine acoustic solo by Bryant.

The three popular song re-imaginations include a somewhat up-tempo blues shuffle take on Hendrix’ “Up From The Skies,” with Harris in a neatly syncopated groove over LeBoeuf’s funky B3. Pascal’s Hammond organ sets a bright tone for a bouncy swing version of Spiral Staircase’s mega-hit “More Today Than Yesterday” and Steely Dan’s “Any Major Dude Will Tell Yougets a transformation (and relocation) from Americana to Harlem, shifting smoothly between brisk syncopation and atmospheric rubato.

The four Harris originals aptly demonstrate that he is as skilled a composer as a vocalist – and his lyrics are moving, heartfelt and poetic. The album opener “Mother’s Love (Nobody’s Gonna Love You)” begins on a poignant, emotive and dramatic note before morphing into a vibrantly swinging excursion. Its bookend closer “Secret Moments” is a lovely, gentle and lushly evocative ballad, while “Swing” is a powerfully syncopated and punchy romp. Provocative, confrontational and rousing best describesBlue Was Angry (from the Cross That River song-cycle). Hard-edged, fiery and with a message of barely-controlled ferocity, it flies over a rip-roaring rhythm section and Harris’ raw electric guitar. It may be unexpected by Harris’ large fan base, but it’s deeply emotional and on point.

Over the past 20 years, Harris has steadily developed his reputation as one of the finest vocalists of his era. Brooklyn-born and Harlem-based, he has forged his sterling credentials through his ten previous albums, covering a broad range of contexts, all netted together within the rich territory of the jazz tradition. In addition to his recordings, he has performed on a worldwide stage that has taken him to prestigious international festivals and halls in Europe, the Middle East and Asia, as well as the 2012 Olympics in London. At home, he has toured nationally at festivals and top venues, including New York’s Lincoln Center and D.C.’s Kennedy Center. He has received numerous awards, including the New York Nightlife Award for “Outstanding Jazz Vocalist” (which he won three times), the Backstage Bistro Award for “Ongoing Achievement in Jazz,” the Harlem Speaks “Jazz Museum of Harlem Award,” and the DownBeat Critic’s Poll Award for “Rising Star Vocalist.”

Nobody’s Gonna Love You Better (Black Bar Jukebox Redux) will continue to build his legacy as another milestone in the extraordinary artistic aesthetic of Allan Harris.


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Vocalist Allan Harris Releases Follow Up to 2015 Album with “Nobody’s Gonna Love You Better (Black Bar Jukebox Redux)”

Vocalist Allan Harris Releases Follow Up to 2015 Album with Nobody’s Gonna Love You Better (Black Bar Jukebox Redux) Available Now via Love Productions Records/ Membran Entertainment “…the heir to Nat King Cole.” — The New York Times Stream “Mother’s Love” from Nobody’s Gonna Love You Better The outstanding and internationally renowned vocalist, guitarist …
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Vocalist Allan Harris Set to Release Follow Up to 2015 Album with Nobody’s Gonna Love You Better (Black Bar Jukebox Redux)

Vocalist Allan Harris Set to Release Follow Up to 2015 Album with Nobody’s Gonna Love You Better (Black Bar Jukebox Redux)   September 16 via Love Productions Records/ Membran Entertainment     “…the heir to Nat King Cole.” — The New York Times   The outstanding and internationally renowned vocalist, guitarist and composer …
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Vocalist ALLAN HARRIS Set to Release “Black Bar Jukebox,” New Album Inspired by Music Emanating from Jukeboxes in African-American Culture in the ’70s

Vocalist Allan Harris Set to Release Black Bar Jukebox, New Album Inspired by Music Emanating from Jukeboxes in African-American Culture in the ’70s Available January 20 on Love Productions Records “a protean talent…” – The New York Times Stream Tracks from Black Bar Jukebox Ever since he burst on the jazz …
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“”Throughout his recording career, Allan Harris has often been likened to Nat King Cole…as “Nobody’s Gonna Love You Better” demonstrates, there is much more to Harris’ artistry”, NYC Jazz Record


“My favorite singer,” it is in these terms that Tonny Bennett himself, speaks of Allan Harris. Considered one of the three greatest jazz singers of his country, the Brooklyn native has an album far from sweet clichés, and gloussants surjoués. Basically, Allan Harris SINGS!”,


“Music critics have a hard time agreeing on the best word to describe jazz vocalist and guitarist Allan Harris “smooth”, “versatile”, “dynamic”, “protean” are just a few samples- but they are in reverent agreement that he is one of today’s most talented jazz performers”, The Atlantic


“The Convergence CD has Allan with his silky smooth handling of such ballads as My Foolish Heart and You Don’t Know What Love Is, harkens us back to the early days when the master male jazz and pop crooners such as Frank Sinatra, Billy Eckstine, Tony Bennett, Nat King Cole, Frankie Laine, and Arthur Prysock once ruled the airwaves”.- Danny R. Johnson, San Diego County News


“….he performed in an exquisitely syncopated vocal arrangement on Tuesday evening at the Metropolitan Room…” – Stephen Holden, The New York Times


“The joy in Convergence is that two artists of such high and gifted caliber are able to take a discography that has earned a more than special place in the jazz pantheon of classics and reinvent or perhaps reshape the memories of a forgotten past and give us treasured memories of the future.” – Brent Black,

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    Nobody’s Gonna Love You Better PR

  • Allan Harris “Nobody’s Gonna Love You Better” Cover

  • Allan Harris – Photo Courtesy of Artist

  • Allan Harris – Photo Courtesy of Artist

  • Allan Harris – Photo Courtesy of Artist

Responsible Publicists:



  • Pat Harris (US) ||| Elisabeth Morth (Europe)

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